This is the eighth in a series of educational articles about heraldry for Calontir.  (See bottom of page for list of previous articles in this series)

Hopefully at this point, you have developed some ideas for your name and/or your heraldry.  But before you fall in love with one of them, it’s a good idea to make sure you don’t conflict with (are too similar to) someone else.

Names conflict if they look or sound too much alike.  It would be awkward if a herald called your name in court and someone else answered the call.  Most of the time, no other name is even close, but sometimes it’s tricky to decide if your name is different enough from name that has already been registered.

Items of armory conflict if they look too much alike.  There are actual period guidelines for this, called marks of cadency.  A mark of cadency would be a small change that a son would make to the family coat of arms to show he was related to the head of the family, in SCA-speak that’s a “distinct change”.  So your device needs to be enough different from someone else’s, that you’re not implying that you’re their heir.

Over the years, heralds have come up with a system of what counts as a major change (significant change or SC, just need one), minor change (distinct changes or DC, need two) and what doesn’t count at all for difference – based as much as possible on period research.

Go here to see what names have already been registered (check multiple different spellings of each of the parts of your name): https://oanda.sca.org//oanda_np.cgi

Here are the official rules about names conflict: SENA PN.3. Personal Names Conflict – http://heraldry.sca.org/sena.html#PN3

Go here to look up what other coats of arms have been registered with your charges: https://oanda.sca.org/ordinary/

Here are the official rules about armory conflict: SENA A.5. Armory Conflict – http://heraldry.sca.org/sena.html#A5

Articles to explain the rules: http://scaheraldry.info/index.php?title=Conflict_Checking

Admittedly, “conflict” is one of the most challenging parts of researching names and heraldry.  Even experienced heralds get confused, argue, and miss things (a lot), but you can at least start the process and get ideas for what other people have done.

As always, there are lots of “Heraldic Helpers” to guide you through all this (see article below).

At your service,

Sofya la Rus, Habicht Herald

Calontir Heraldic Education Deputy

habicht@calontir.org

Previous articles in this series:

Heraldic Helpers

What’s in a Name?

Where do I find a good name?

How do I create a coat of arms? Part one: inspiration.

How do I create a coat of arms?  Part two, design principles.

How do I create a coat of arms?  Part three, ingredients.

How do I create a coat of arms? Part four, embellishments.

This is the seventh in a series of educational articles about heraldry for Calontir. (See bottom of page for links to previous articles.)

Previously, we discussed the basic ingredients for a coat of arms.  Now how can we embellish those basic ingredients?

Furs.

Furs are treated like tinctures in most ways.  The most common fur in heraldry is ermine.  Plain ermine is black ermine tails on a white background, but versions can be done using all the heraldic tinctures.

Vair is another fur, meant to mimic squirrel fur, and is traditionally blue and white, but can be done in other tinctures also. Furs obey the contrast rules, so you can have red ermined white, but not red ermined green.

Lines of Division

The field (background) of a device, and many charges (motifs) can be divided into different-colored pieces.  These pieces do NOT have to obey the contrast rules if they’re simple enough to be identifiable.  (This because the color is considered “next to” the color, not “on” the color, i.e. you’ve divided layer 1 into different colored pieces, not placed a dark-colored layer 2 ON a dark-colored layer 1.)

Here are some options:

Complex Lines

The lines of the above divisions don’t have to be straight line, and these complex lines can also be applied to the edges of some simple geometric charges.

Here are some examples:

Diapering

In heraldry, diapering is adding tone-on-tone patterns to embellish an otherwise plain area of a device.  For example, a plain blue background can be dressed up with light blue foliage swirls.

As you can see, even with all the rules in heraldry, there are millions of amazing options available.  We’re happy to help if you can’t make up your mind.  (See “Heraldic Helpers“.)

At your service,

Sofya la Rus, Habicht Herald

Calontir Heraldic Education Deputy

habicht@calontir.org

Previous articles in this series:

Heraldic Helpers

What’s in a Name?

Where do I find a good name?

How do I create a coat of arms? Part one: inspiration.

How do I create a coat of arms?  Part two, design principles.

How do I create a coat of arms?  Part three, ingredients.

This is the fifth in a series of educational articles about heraldry in Calontir. 

Previously, we discussed where to get inspiration for your coat-of-arms.  Now that you  have some ideas, let’s talk about how to put it all together.

Some important design principles to keep in mind:

Duct-tape heraldry.  Aka who’s going to draw this for you? Be considerate of whoever is going to be sewing your heraldic design on your tabard.  There’s no shame in designing good solid heraldry that can be laid out on your shield using duct tape in a pinch.

Identifiability.  The original purpose of heraldry is to identify you across a battlefield.  So the colors are bright, the contrasts are clear, and the designs are relatively simple.  Charges (motifs) tend to be drawn in order to make the key identifying features of the object obvious.  For example, the eagle is shown with its wings displayed on either side.

Stylized and Simplified.  Heraldry is a bit like cartoon art.  Things are not necessarily drawn realistically, or painted their natural colors.  Heraldry has it’s own visual language with defined poses for animals and simplified depictions of objects.  That’s why it’s so useful to study period armorials for inspiration.

Complexity.  We are limited to a complexity count of 8 or less – adding up the number of colors with the number of charges.  So a red shield with a white owl has a complexity count of three: two colors (red & white) and one charge (owl).  A half-blue and half-green shield with a gold stars and a sword on either side of a gold stripe with purple and red hearts has a complexity count of nine – with five colors (blue, yellow, purple, red, green) and four charges (stars, stripe, hearts, sword).  As you can see, it’s a little much.

Contrast.  Identifiably requires good contrast, so we need to avoid putting dark things on a dark background (“color-on-color”, eg. blue on red) or light things on a light background  (“metal-on-metal”, eg. yellow/gold on white/silver) in most situations.

Slot machine.  Having 3 or more different things in the same area of the shield doesn’t match period practice and is also poor design.  You shouldn’t have a star, a diamond and a sword in the same group on your shield.  If you have to have them all, separate them into different sections of the shield.  (More on this in the next article.)

Marshalling.  Marshalling combines the arms of two or more families to display noble lineage.  Since we do not inherit nobility in the SCA, marshalled designs cannot be registered.  There are two types of marshalling:  impaling and quartering.  Impaling is when a shield is divided down the middle with one family coat of arms on the left, and another on the right – originally to show off that both of your grandfathers were important.  Quartering was an alternate way to show off your grandfathers, or you could show your 4 great-grandfathers’ arms in each of the sections.  Note that we can display heraldic designs that look like marshalling.  For example, a couple might marshal their arms as a “marital badge” to mark their children at an event to help people return them. That’s a great use of heraldry, just not registerable.

Contact me or one of the many other heralds of Calontir for further details.  (See “Heraldic Helpers”)

At your service,

Sofya la Rus, Habicht Herald

Calontir Heraldic Education Deputy

habicht@calontir.org

This is the fourth in a series of educational articles about heraldry in Calontir. 

Now that you have a useable name, you need some heraldry to go with it.

We’re lucky that we get to design our own coats of arms.  In period, you would have been stuck with whatever your great-great-granddad decided to slap on his shield the night before the big battle that made him famous.  So historical coats of arms did not have “deep personal meaning”, just layers of family honor.   Period nobility had to resort to badges and impressa when a new generation wanted add a personal stamp to their heraldic identity.

Which brings up the question of devices vs arms vs badges.  Your device is what you would put on your shield, your tabard and your banner in order to say “I am here.  This is me.”  Your “device” magically becomes your “arms” when you are given an “Award of Arms” by the Crown. 

Your badge is used to mark your followers, children and your property in order to say, “This is mine.”  (An impressa is an heraldic-ish design that a late period noble would use to express “deep personal meaning” for special events.)

It can be fun to have your heraldry match your persona (or your great-great-grandad’s persona).   We now have lots of period armorials (collections of coats-of-arms) on-line:  German, Italian, English, French, Spanish, etc.  Here’s one place to start:
“An Annotated List of Period Armorials Available Online“

Even if you don’t plan to match your heraldry to your persona, it’s great to browse through period armorials for ideas.  (If you find a design you like, it’s smart to write down where you found it.  Some period heraldry “breaks the rules”, but we can get around that if you have the documentation.)

You may notice that a lot of period arms are “canting arms”.  A “cant” is a pun so, for example, the Talbot family had an image of a dog (a talbot) on their coat of arms.  This is great for SCA heraldry, too.  Names in period often have different meanings than we would assume, so that’s fun to research. 

Be careful about resume heraldry.  You may be a brewer, a weaver, and a fighter, but trying to work in a barrel, a loom and a rapier on your shield will be messy.  Try to trim your “resume” to one main thing or get more subtle.  Symbolize your fighting with an embattled bordure, or use yellow on your shield to symbolize the mead that you brew.

You don’t have to follow the crowd.  Lots of archers have arrows on their devices, but fewer have pheons (fancy arrowheads).  Why have a plain old lion when you could have a panther breathing fire?  The Pictorial Dictionary of SCA Heraldry is a great resource for the wide variety of charges that have been used in the SCA.  And using period documentation, we can register “new” ones!

As always, the heralds of Calontir stand ready to help.  (See “Heraldic Helpers“)  Bring your ideas to a Heraldic Consult Table at an event or try out the Virtual Consult Table and we’ll help flesh them out!

At your service,

Sofya la Rus, Habicht Herald

Calontir Heraldic Education Deputy

habicht@calontir.org