This is the fifth in a series of educational articles about heraldry in Calontir. 

Previously, we discussed where to get inspiration for your coat-of-arms.  Now that you  have some ideas, let’s talk about how to put it all together.

Some important design principles to keep in mind:

Duct-tape heraldry.  Aka who’s going to draw this for you? Be considerate of whoever is going to be sewing your heraldic design on your tabard.  There’s no shame in designing good solid heraldry that can be laid out on your shield using duct tape in a pinch.

Identifiability.  The original purpose of heraldry is to identify you across a battlefield.  So the colors are bright, the contrasts are clear, and the designs are relatively simple.  Charges (motifs) tend to be drawn in order to make the key identifying features of the object obvious.  For example, the eagle is shown with its wings displayed on either side.

Stylized and Simplified.  Heraldry is a bit like cartoon art.  Things are not necessarily drawn realistically, or painted their natural colors.  Heraldry has it’s own visual language with defined poses for animals and simplified depictions of objects.  That’s why it’s so useful to study period armorials for inspiration.

Complexity.  We are limited to a complexity count of 8 or less – adding up the number of colors with the number of charges.  So a red shield with a white owl has a complexity count of three: two colors (red & white) and one charge (owl).  A half-blue and half-green shield with a gold stars and a sword on either side of a gold stripe with purple and red hearts has a complexity count of nine – with five colors (blue, yellow, purple, red, green) and four charges (stars, stripe, hearts, sword).  As you can see, it’s a little much.

Contrast.  Identifiably requires good contrast, so we need to avoid putting dark things on a dark background (“color-on-color”, eg. blue on red) or light things on a light background  (“metal-on-metal”, eg. yellow/gold on white/silver) in most situations.

Slot machine.  Having 3 or more different things in the same area of the shield doesn’t match period practice and is also poor design.  You shouldn’t have a star, a diamond and a sword in the same group on your shield.  If you have to have them all, separate them into different sections of the shield.  (More on this in the next article.)

Marshalling.  Marshalling combines the arms of two or more families to display noble lineage.  Since we do not inherit nobility in the SCA, marshalled designs cannot be registered.  There are two types of marshalling:  impaling and quartering.  Impaling is when a shield is divided down the middle with one family coat of arms on the left, and another on the right – originally to show off that both of your grandfathers were important.  Quartering was an alternate way to show off your grandfathers, or you could show your 4 great-grandfathers’ arms in each of the sections.  Note that we can display heraldic designs that look like marshalling.  For example, a couple might marshal their arms as a “marital badge” to mark their children at an event to help people return them. That’s a great use of heraldry, just not registerable.

Contact me or one of the many other heralds of Calontir for further details.  (See “Heraldic Helpers”)

At your service,

Sofya la Rus, Habicht Herald

Calontir Heraldic Education Deputy

habicht@calontir.org

This is the fourth in a series of educational articles about heraldry in Calontir. 

Now that you have a useable name, you need some heraldry to go with it.

We’re lucky that we get to design our own coats of arms.  In period, you would have been stuck with whatever your great-great-granddad decided to slap on his shield the night before the big battle that made him famous.  So historical coats of arms did not have “deep personal meaning”, just layers of family honor.   Period nobility had to resort to badges and impressa when a new generation wanted add a personal stamp to their heraldic identity.

Which brings up the question of devices vs arms vs badges.  Your device is what you would put on your shield, your tabard and your banner in order to say “I am here.  This is me.”  Your “device” magically becomes your “arms” when you are given an “Award of Arms” by the Crown. 

Your badge is used to mark your followers, children and your property in order to say, “This is mine.”  (An impressa is an heraldic-ish design that a late period noble would use to express “deep personal meaning” for special events.)

It can be fun to have your heraldry match your persona (or your great-great-grandad’s persona).   We now have lots of period armorials (collections of coats-of-arms) on-line:  German, Italian, English, French, Spanish, etc.  Here’s one place to start:
“An Annotated List of Period Armorials Available Online“

Even if you don’t plan to match your heraldry to your persona, it’s great to browse through period armorials for ideas.  (If you find a design you like, it’s smart to write down where you found it.  Some period heraldry “breaks the rules”, but we can get around that if you have the documentation.)

You may notice that a lot of period arms are “canting arms”.  A “cant” is a pun so, for example, the Talbot family had an image of a dog (a talbot) on their coat of arms.  This is great for SCA heraldry, too.  Names in period often have different meanings than we would assume, so that’s fun to research. 

Be careful about resume heraldry.  You may be a brewer, a weaver, and a fighter, but trying to work in a barrel, a loom and a rapier on your shield will be messy.  Try to trim your “resume” to one main thing or get more subtle.  Symbolize your fighting with an embattled bordure, or use yellow on your shield to symbolize the mead that you brew.

You don’t have to follow the crowd.  Lots of archers have arrows on their devices, but fewer have pheons (fancy arrowheads).  Why have a plain old lion when you could have a panther breathing fire?  The Pictorial Dictionary of SCA Heraldry is a great resource for the wide variety of charges that have been used in the SCA.  And using period documentation, we can register “new” ones!

As always, the heralds of Calontir stand ready to help.  (See “Heraldic Helpers“)  Bring your ideas to a Heraldic Consult Table at an event or try out the Virtual Consult Table and we’ll help flesh them out!

At your service,

Sofya la Rus, Habicht Herald

Calontir Heraldic Education Deputy

habicht@calontir.org

This is the third in a series of educational articles about heraldry in Calontir. 

Picking a name is one of the first things a SCAdian has to do, but is also one of the more tricky things to do “properly”.  There are no “heraldic police” in the SCA, so you can use any name you can get people to call you.  But if you want to register the name eventually, it’s good to be aware of the basic rules before getting too attached to a name.

In order to be registered, a name has to be documentable – with a period spelling and period date.  Everyone knows that Mary is a period name, but was it written as “Mary” in 11th century Ireland or did they use a unique Gaelic variation?

A registerable name must also have two parts – generally a first name and a byname.  We know that some cultures in SCA period tended to use only single names, but for administrative purposes, paperwork is filed under your SCA name and it wouldn’t work very well to have multiple people named “Anne”.

Both parts of your name need to go together – compatible genders, and ideally from the same time period and culture, or at least cultures that had close contact with each other.

A name does NOT have to match your persona (especially with the way people change personas in the SCA).  The name doesn’t have to match YOUR gender, either (although it has to be internally consistent with itself, as noted above).

There are some other important restrictions to keep in mind.

First, your SCA name cannot be identical to your real-world name.  It can be similar, but there needs to be at least a couple differences, for example, Mikhail instead of Michael.

Second, a name cannot be offensive.  Offensiveness includes scatological references, sexist or racist stereotypes, or religious disrespect.  This is, admittedly, subjective.

Third, a name cannot be presumptuous – making a claim to rank or power.  For some names, it depends on the culture.  Jesus might be an acceptable name in Spain, but maybe not in England.  Sometimes, a name by itself may be okay, but not when combined with a particular coat of arms.  James York might be registerable, but not with armory that resembles the Yorkist branch of the English royal family.

Fourth, a name cannot be “obtrusively modern”.  Such names have such an obvious modern reference that it pulls us out of the Middle Ages.  An example is “Porsche Audi”.  “Joke names” are registerable, but the joke needs to be medieval, not modern.

All of this maybe a little confusing, but there are plenty of people to help.

Heraldic Helpers – http://falconbanner.gladiusinfractus.com/2017/09/09/heraldic-helpers/

Virtual Consult Table – http://falconbanner.gladiusinfractus.com/2017/10/07/calontir-virtual-consult-table/

At your service,

Sofya la Rus, Habicht Herald

Calontir Heraldic Education Deputy

habicht@calontir.org