It is my sad duty to announce the following cancellations due to the COVID19 virus:
Known World Italian Salon & Symposium was to have taken place THIS weekend, March 19 – 22, 2020 at Gulf Wars in the Kingdom of Gleann Abhann. With the cancellation of the Gulf Wars itself, the symposium is cancelled as well.
Known World Academy of the Rapier & Costuming Symposium was scheduled for April 17 – 19, 2020 in the Kingdom of Avacal. It has also been cancelled.
If you have pre-registered for either of these events, please be patient while the event staffs deal with these overwhelming circumstances. Future symposiums have NOT been cancelled at this time.
Greetings from Lord Dagonell Collingwood! I am the Known World Symposium Advertising Deputy. The SCA has created the Facebook public group, “SCA Virtual Classroom and Artisan Display” (https://www.facebook.com/
The group contains among other things, links to other craft groups, online classes, handouts from IRL classes, journal articles, how to videos, subject bibliographies, and of course, endless discussions about historical arts.
In evening court:
Frithuswith Ui Cremthainn – AoA
John Bowyer – Leather Mallet
Asher de Lokwode – Leather Mallet
Arnþóra Rúnviðardóttir – AoA
Caitilín inghean Uí Lochlainn – Leather Mallet
Tyr Ironscales – Leather Mallet
Lawrence Withers – Leather Mallet
Furia Cincinnata – Golden Calon Swan
Margery of Penrith – Silver Hammer
Other court tidings:
Honorable Lady Melisent McAffee presented a new kneeling cushion.
Representatives of the Barony of Three Rivers informed the populace about the upcoming Chieftains Tournament.
5 newcomers received mugs.
His Majesty Lucian reminded the populace about the upcoming Gulf Wars.
Mistress Halimah bint ‘al Abbas ‘al Tanji introduced herself as one of the Kingdom Advocates.
Mistress Roselyn of Aberdeen and Lady Catin of Edington invited the populace to Spring RUSH in Calanais Nuadh.
Lord Finán mac Crimthainn received the Judges’ Choice prize.
Avalon of the Black Fleet received the Queen’s Prize, youth category.
FrøygæiRR Fasthaldi received the Queen’s Prize.
As technology marches on, many resources that were difficult — even impossible — to obtain, have been made available digitally for scholars to view and explore. Recently, Trinity College Dublin added The Book of Kells to their online digital collection.
The Book of Kells is an illustrated manuscript of the Four Gospels, in Latin. It was produced by Columban monasteries in either Ireland or Britain (or possibly with contributions from both) in approximately 800 AD. The manuscript has a fascinating history of survival over the centuries.
The Illustrations have had a major influence on the common perception of early Medieval, and especially insular Celtic, art since the first accurate reproductions were produced and published in the mid-19th century. The calligraphy has also come to represent Celtic lettering for many people. Elements and examples of both are often reproduced in SCA artwork.
The online collection is available at https://digitalcollections.tcd.ie/home/index.php?DRIS_ID=MS58_003v
A recent email from Academia.edu recommended the paper The Representation of Lordship and Land Tenure in Domesday Book by Stephen Baxter, faculty member in the Department of History at the University of Oxford. The paper is embedded below.
I encourage anyone interested in late Anglo-Saxon and early Conquest England to check out his papers at:
The basic membership at Academia.edu is free, and there are a wealth of papers and articles
Nearly a month ago, my lord husband told me that Master Eadweard Boicewright, one of my dearest mentors and friends, had passed away. He said that he had suffered a cardiac event.
It broke my heart.
Papa, as those who learned from him call him, was a pillar, not just in our kingdom, but in the Society at large. He was a keeper of our memories, he dispensed wisdom to kings and peasants, and he gave of himself whenever and where ever he saw a need, without any expectation of praise or reward.
The first time we met was at Valor, in 2011. I was mending a friend’s trousers when he sat down across from me at the table. We talked about my SCA name, about trouser seam stability (he told me how his trousers were split when he was called into court to receive a Calon Cross), and mundane things. In retrospect, I see now how he was sizing me up and getting a feel for the kind of person I am.
I guess he liked what he saw because a few months later, he sponsored me in my first Queen’s Prize Tournament and introduced me to Marcella (Mama), his lady wife. She taught me how to make cloth buttons, finger loop braid, lucet, and heddle weave. It became a habit during my first year in the SCA: I’d go hang out in Papa’s wood wright shop and make tools then go upstairs and ask Mama to teach me how to use them.
Since I moved away, I’ve missed that bond and rapport. Not many people will drive twenty-thirty minutes to take a broke college student out for a nice lunch because she spent the bulk of her much-need Spring break bedridden with Strep Throat, but Papa did. Not many laurels would steer apprentices that could be stars in their belts toward other peers because they see how they could flourish in that relationship, but Papa did.
To be clear, Papa was not the sort of man who brandished his title. I still remember the grin that spread across his face when he finally told me he was a laurel and saw my face pale as I shrunk away a little. I was still new enough to have Peer Fear and had been talking easily with him for over an hour at that point, so I was a more than a little intimidated. More importantly, though, what he said to me about being a laurel gave me the first inkling that it was something I could aspire towards. He told me that being a laurel meant being a teacher and teaching is something to which I have always been drawn. That seed has remained with me eight years later.
Papa was also one of the most insightful people I have ever known and the most honest. He was the man he always aspired to be, like the Kipling poem he was fond of quoting: a man who talked with crowds without losing his virtue and walked with kings without losing the common touch. I wasn’t done learning from him and I’ll always miss our talks.
This is THL Zaneta Bassegio‘s entry from the 2019 KIngdom Arts & Sciences event. Published by permission.
I’d like to share some info about the cooking classes that Master Tosten will be teaching at Lilies this year. They are under my name in the site book, but while I will be helping, he is the main instructor! You can sign up in advance to reserve a spot, which will help him know how much supplies to bring in. Both classes will be held at my cooking table setup across from The Harp!
Cooking in Clay – Baked Apples
Mèstra Giraude Benet
Sunday, June 9 – 1:00 pm for 1 hour
Audience: Adults Skill Level: Beginner
Age Limit: 8 Fee: $30 (Fee includes a clay pipkin to keep) Max Size: None
Class Description: With Master Tosten du Calais. Explore the process of cooking in clay in the fire. Participate in the history of cooking, and go home with yummy yummy baked apples and your own pipkin. Cut up the fruit, season, and cook to perfection. Class is open to student 8 and above, with parental attendance in the class as well. You may sign up and pre-pay in advance at Tosten’s Pots
Cooking in Clay – Main Dish
Mèstra Giraude Benet
Sunday, June 9 – 9:00 am for 2 hours
Audience: All Skill Level: Beginner
Age Limit: 8 Fee: $40 (Fee includes a small cooking pot to keep) Max Size: None
Class Description: With Master Tosten du Calais. Explore the process of cooking in clay in the fire. Participate in the history of cooking and go home with hearty main dish and a small cooking pot. Using period ingredients, create a unique combination for you and to share. Simmer your meal in the coals. And share with others, your interest in cooking and period life. You can sign up in advance on Facebook at Tosten’s Pots. Anyone who might be interested in signing up for the class but who is not on Facebook can email Master Tosten at Dougv@gryph.com , and he will send a PayPal invoice.