Big Damn Stick Competition at Lilies War

Unknown Artist. Minstrels with a Rebec & a Lute.
13th c. Manasseh Codex. El Escorial, Madrid. Public domain in the US

Hello Calontir!

This year at Lillies War the Big Damn Stick competition will be held at Bardis Gras.

The theme is Lost Tales. Sing a song or tell a story people have never heard, or haven’t heard in a long time. The attending populace and fellow bards will pick their champion so make sure it’s a good one. Be funny, thrilling, heartbreaking, or all three, but bring something to the table that is different than the usual.

See you on the battlefield!

Lady Selene

Post expires at 8:18am on Tuesday June 25th, 2019

Bardic Bedlam Schedule

Bardic Bedlam will be held at St. George & the Dragon this year, on May 10-11 at the 7C’s Winery in Walnut Grove, MO. You can expect a day packed full of classes related to the bardic arts as well as a roaring bardic fire Saturday night. Bring your lunch or dinner over to the bardic pavilion and listen to (or better yet, participate in) themed performance challenges we call “flytes”.

Flytes

Try something you might otherwise not have tried! No judging, no winners, and no need to worry about whether something is “good enough.” Jump in with both feet, because the goal is always to have fun. We have a busy day planned, so we’ll work the flytes in during lunch, dinner, and the evening bardic fire.

“Something for Everyone—A Comedy Tonight” sponsored by Honorable Lord (patent pending) Johann SteinarssonA flyte where the focus is on laughter and comedy, NOT death, doom and gloom.

“Songs that Need Singing and Tales that Need Telling” sponsored by Master Dolan Madoc. Share a new piece you have not had the chance to offer us very often or an old one we have not heard in a while.

“Calontir History” sponsored by Mistress Katriana op den Dijk. Share a song or story, about or from, Calontir’s history. It can be something you put together (like Dolan with his “Pavel Gets Hurt” saga) or something created by someone else (like the Pict Song popular in our rebel days).

“Unfinished Business” sponsored by Mistress Dorcas Whitecap. Come perform something that is incomplete, waiting around in your “works in progress” file.  Perhaps having others hear it will provide that last little motivation to “get ‘er done!”

“Some of Dulcibella’s Favorite Things” sponsored by Honorable Lady Dulcibella de Chateaurien. Share/compose a story, poem, or song that includes the following five words or phrases in some form: pirate. Eire. broken heart. magic mirror. and wayward.

“Ultreia y Suseia” sponsored by Honorable Lady Adalyde bint Junus al-zaarqa“Ultreia y suseia” translates loosely to “onward and upward”, which can mean many things to people. Share a performance that shows us what those words mean to you.

“On-site Contrafacta Challenge” sponsored by Honorable Lady Fiondel Songspinner. There will be a “hat” filled with themes for your filk song.  You will pick a random theme, and write a filk song on that theme, to be performed at the fire that evening.  I will provide a list of suggestions of period music (and, yes…I will have handy recordings of many of them, just in case you don’t know the melody).  Extra points will be given for using the period music.  But, if you want to “branch out” and use a melody of your own choice as the basis for your filk, you do you!  There will be prizes!  Come show us how creative, funny, heart-wrenching, or inspiring you can be!  You are a BARD! Dazzle us!

 

Classes

 

Friday 8:00 p.m.

“Bardic Fire Bootcamp” with Lady Elaisse de Garrigues. Come learn some of the most popular songs in Calontir so that you’re ready for Saturday night’s bardic fire. And if you’re an old pro, come sing along!

Saturday

9:00 a.m.

“Tips for Vocal Performers” with Lady Cristabell Rose Alwin. Real world exercises to improve volume, diction, overcome stage fright, and protect your vocal instrument. Suitable for all levels. Also good for voice heralds and stage actors.

“Medieval Filks” with Honorable Lady Fiondel Songspinner. How often have you heard a song and thought, “I could write a really good filk of that!” But, then thought, “But filk songs aren’t really period, so maybe I shouldn’t.”  Take heart, oh creative Bard!  Filk songs ARE period.  In the middle ages, they were called “contrafacta” and they were very popular.  Not ONLY did they provide the “melody-creating-impaired bard” with a convenient way to write songs, but they frequently had the added bonus of annoying the church (because many of these filk songs were written to well-known hymns).  Come and learn about “period filk songs”!  We will discuss source materials, and places to find period music.

10:00 a.m.

“Together and/or Apart” with Honorable Lady Vǫlu-Ingibiǫrg. Learn songs that sound good alone but can become something more complex if someone else at the fire knows them. We’ll include songs that can be rounds, such as “Lifeblood: a Viking Drinking Song” (a.k.a. “Drink for the Wind Blows Cold”), and songs that make harmony, such as “Stella Splendens in Monte.”

“All About Sonnets” with Honorable Lady Dulcibella de Chateaurien. We will explore what sonnets are, their history, different types of sonnets, the technical and artistic aspects of sonnets, and how to write a sonnet.

 

11:00 a.m.

“Performance Feedback” with Lady Cristabell Rose Alwin and Master Ravasz Janos. Bring one to two pieces ready to perform for feedback from Lady Christabell, a professional singer/actress with 35+ years stage experience, and Master Ravasz, Calontir’s acting Laurel, with decades of experience in Commedia, comedy and mime, as director, teacher, and performer.

“Music Theory for Medieval People” with Honorable Lord Janos Katona. An explanation of music theory from the perspective of period practice.  Covered will be the Circle of Fifths,
a brief look at period musical notation, and some exploration of harmony and modes and scales.

Lunch and Flytes

1:30 p.m.

“Open Discussion on the Bardic Arts in the SCA” with Master Dolan Madoc.

“Poetic Meters for Songwriters” with Mistress Dorcas Whitecap. Poetic meters are ways to talk about the rhythms found in poems or song lyrics.  This class will cover the different poetic “feet”, with lots of examples to help you remember them.  Learn what iambic pentameter means, and understand why it’s great for a sonnet, but not so good for a song.  Learn the secret of ballad meter, and why it makes a song linger in the mind long after the last note is sung.

2:30 p.m.

“Calontir Canon” with Mistress Dorcas Whitecap. A roundtable discussion on songs that are important to Calontir and why.

“Songwriting 101” with Honorable Lady Adalyde bint Junus al-zaarqa. Learn about songwriting from the creator of some of Calontir’s favorite songs, including “Drums of War” and “Lady in Blue”.

3:30 p.m.

“Roundtable Discussion about the CD-Making Process and Experience” with Honorable Lady Adalyde bint Junus al-zaarqa. Hear about Lady Adalyde’s experience recording and releasing her debut album, “Ultreia”.

“Calontir—A Bardic Telling of History and Culture” with Lord Jon CheseyCome learn of the history and culture of Calontir by hearing (and singing) the songs that define it.

Following court, grab your dinner and join us for more flytes and the bedlam of a Calontir bardic fire!

Questions? Contact the Bardocrat, Lady Elaisse de Garriguessharondavis1832@yahoo.com, FB Sharon Keeling Davis, text (417) 827-7800.

Post expires at 10:54am on Tuesday May 28th, 2019

Where the Falcon Soars Above the Heartland

Tacuina sanitatis 14th C. Public domain in the US

At Gulf Wars XXVIII Lady Elaisse de Garrigues won the A&S Champions Battle, with a project titled “Where the Falcon Soars Above the Heartland:  Musical Compositions Exploring the Development of Polyphonic Organum”

Here are the documentation and accompanying recordings for that winning entry:

 

Ninth Century Parallel Organum:

 

Eleventh Century Free Organum:

 

Twelfth Century Florid Organum:

 

Organum Triplum:

 

 

 

 

 

 

 

Calontir Storycorps at Chieftains and Crown Tourney

The Bavarian Herald Jörg Rügen around 1510. Public Domain in the US

Come, bring us your stories!

Calontir Storycorps is collecting the recollections of the populace at Chieftains and Crown Tourney this Spring! We would like to hear and record SCA stories (or at least involving SCA people): stories you were there for personally, stories that were told to you, and events/happenings you think pivotal to our history. We can record your story day of, or you can arrange a phone-call or to send us your own audio file. Why? We want to fill in the story of the kingdom, get points of view from our elder members especially, and ultimately provide a source for future Calontiri to use in creating performances and written histories in the period style. Please find/contact me (Elynor) at the event to sign up for an interview!

Legal stuff: In future we may seek to post the actual recordings or transcripts online so that they may be easily accessible to the populace.To that end each participant will be asked to sign a Society media release form, to give permission for use (and which kinds of use: audio, transcript) at the time of the recording.

YIS,
and

Select Videos of Performances at Queen’s Prize 2019

Videos courtesy of Mathurin Kebusso

(Apologies to Elaisse de Garrigues; the video of your performance was lost)

These are clips of the complete performances.

Da’ud ibn al-Kabsh al-Garnati al- Mai’ez, called Maaz, “A hakawati style reading of stories and histories of Abd al-Rahman I”

 

 

 

Melanie de la Tour, “Musical Performance (voice and mandolin) of a John Dowland song, Awake Sweet Love

 

 

 

Pádraigín an Ein i gh, “The Foulest Place of Mine Arse is Fairer Than Thine Face: Them’s Fighting Words, A Demonstration in Taboo Language”

PARENTAL WARNING:  This video contains adult language and themes. 

 

 

 

 

 

Duke Conn MacNeill’s Albums Available on Google Play

Unknown Artist. Minstrels with a Rebec & a Lute. 13th c. Manasseh Codex. El Escorial, Madrid.  Public domain in the US

Unknown Artist. Minstrels with a Rebec & a Lute.
13th c. Manasseh Codex. El Escorial, Madrid. Public domain in the US

For those Calontiri who remember His Grace Duke Conn MacNeill, the bard king of Calontir, two albums of his songs are now available on Google Play.  The albums, Visitacions de la Muse Polyhymnia and Valor d’Amorrecently became available for purchase and download.

Visitacions contains many songs older Calontiri will recall fondly, and several that remain classics and are sung around the fire to this day. The album was originally a cassette tape, and the recording quality shows it. But for those who want to hear “Rite of Passage” or “Crown and Kingdom” sung by the laurel bard who wrote them, it won’t matter in the least.

Valor is much better technically, and continues to demonstrate His Grace’s talents as a songwriter and singer. “Captive Heart” is an especially pleasant surprise for those who did not follow Conn’s work after his departure.

 

Conn MacNeill (Bob Charron) – Music on Google Play

Bob Charron, working under his Medieval Reenactment alias of Conn MacNiell, wrote original lyrics and melodies intended to act as a bridge between the modern and Medieval worlds. These were performed with solo voice accompanied by the bodhran (Irish drum).

Angus of Blackmoor Songs

Unknown Artist. Minstrels with a Rebec & a Lute. 13th c. Manasseh Codex. El Escorial, Madrid.  Public domain in the US

Unknown Artist. Minstrels with a Rebec & a Lute.
13th c. Manasseh Codex. El Escorial, Madrid. Public domain in the US

The CalonSound Project has a new posting up in The Tapes section. This is a tape from 1990 of songs sung by Angus of Blackmoor.  Included songs are:

  1. Brother Knights of Calontir
  2. Song of the Calon Huscarl
  3. King William’s Wall
  4. Song of Roland (no, not that one 🙂 )
  5. Valen’s Song
  6. Odin’s Bards

The Battle of the Bridge — Winner of the Skaldic Challenge at Valor XXXVII

elaisse-de-garrigues

Lady Elaisse de Garrigues

by Lady Elaisse de Garrigues

War was calling. Our enemies were massing far to the east, so our mighty Konung, Duncan Bruce of Logan, mustered our warriors for the long march to that faraway kingdom. Many battles were fought in the great Pennsic War, but this is the tale of one particular battle—a battle for a bridge.

The army of Artemisia had twice our number, nay, tenfold at least, and the only thing holding them back was the churning water of the rain-swollen river. That endless horde, eager to storm across the bridge and slaughter everything in its path, was a chilling sight, but the Calontiri knew no fear. Logan strode to the bridge and hurled a spear toward those shining Artemisian helms with a bellow of “Odin owns you all!”

With a shield-shattering roar, the Calon host charged onto the bridge. The Artemisians could not withstand the Calontiri onslaught. Slowly at first, then with greater speed, the Artemisians fell back as our warriors fought their way across the bridge.

“Arrow!” someone shouted. First one dark missile, then another, arced through the sky then landed harmlessly on upheld Calontiri shields. Logan laughed. “You’ll need more than pointy sticks to send me to Valhalla!” he roared with a deadly swing of his war hammer.

The Artemisians fell back, and back, until the Calon host had nearly reached the far side of the river. “Arrow!” someone called again. This time the sky darkened and the air hissed with dozens of missiles speeding toward the Calontiri. “Shields!” Logan bellowed. Our warriors hunkered beneath as the deadly rain beat against the wood and iron of the Calon shields. That, my friends, is the moment Artemisia charged.

Taken by surprise, the Calontiri fell, one after another joining their dying comrades in the growing river of Calon blood. The survivors retreated, defeat bitter on their tongues. As brave as our warriors are, they might have slunk home in shame, but Logan stood firm. “By Tyr, we will not be beaten!” he shouted. Drawing courage from their Konung’s strength, the Calon host surged forward once again.

As before, the Artemisians staggered under our swords and we forced our way across the bridge. And as before, a flock of fletched missiles darkened the sky. This time we were ready, though. This time, when the Artemisians charged, our warriors met them with deadly steel. This time, the bridge ran slick with Artemisian blood.

And though many Calon warriors found their way to Valhalla, thanks to Logan’s courage, strength and will, no Artemisian crossed that bridge that day.

Tournament of Valor Court Summaries

Saturday court, September 3, A.S. 51
Alex of Vatavia – AoA
Brian Robert MacDougall – Stile Fyrd
Bree Oakwife – AoA
Vashti al-Asar – Torse
William Douglas – Silver Hammer
Francisca Sangria de Leon – Torse
Aiden Wren Cheriksdottir – Queen’s Chalice
Mathurin Kerbusso – Pelican
The new Champion of the Calontir Bardic College is Lady Cristabell Rose Alwin.
The new members of the Lilies Committee are Master Thomas of Cologne, Master Magnus Anskegg, and HL Chiara di Paxiti.
4 people received First Event mugs.

On the field, September 4
Øyríkr Raðúlfsson – Iren Fyrd
Toke Ormsson – Iren Fyrd

Sunday court, September 4
Astrid of Vatavia – AoA
Morgan Stone – AoA
Avraham ben David Hakhuzari – Order of Chivalry / Knight
Gunnar Thorisson – Pelican
Elaisse de Garrigues is the new Royal Skald.
2 people received First Event mugs.

Presentation scene; detail of a miniature from BL Royal MS 15 E vi, f. 2v. 15th C. Public domain in the US

Presentation scene; detail of a miniature from BL Royal MS 15 E vi, f. 2v. 15th C. Public domain in the US

Skald of Their Majesties’ Court Competition at Valor/Bardic Bedlam

From the Dean of the Bardic College:


“What is a Norse court without a skald?” asked Prinz Logan and Prinzessa Ylva.

At the Valor/Bardic Bedlam event, eight weeks after Their ascension to the thrones, the royal couple will hold a skald competition.

They request a story/poem/song/other depicting the glory of a particular person, group, or the Calontir army in general at Lilies War or Pennsic… or some other event that occurred between Crown Tourney and Valor (inclusive). A Norse style is mandatory.

Some “documentation” is a plus, either written or spoken, explaining the historical basis for the piece, but it needn’t be in great depth.

Truth is optional. Exaggeration is expected.

The winner shall be named Skald of Their Majesties’ court, will likely be asked to perform the piece several times during Their reign, and might be asked to sit with Them in court a time or two, on a cushion or stool.

Unknown Artist. Minstrels with a Rebec & a Lute. 13th c. Manasseh Codex. El Escorial, Madrid.  Public domain in the US

Unknown Artist. Minstrels with a Rebec & a Lute.
13th c. Manasseh Codex. El Escorial, Madrid. Public domain in the US