Sir Duncan Bruce of Logan and Mistress Ylva Jonsdottir are the new Prince and Princess of Calontir. Vivat!
Elevation Announcements
Countess Catalina de Arazuri was announced at Chieftains to be elevated to the Order of the Laurel. Vigil and elevation are to be held at the Tournament of Horse and Falcons.
Honorable Lord Hildibrandr Tjúguskegg was announced at Gulf Wars to be elevated to the Order of the Chivalry. Vigil and elevation are to be held at Lilies War.
Honorable Lady Nesscia inghean Chearnaigh was announced at Gulf Wars to be elevated to the Order of the Pelican. Vigil and elevation are to be held at the Tournament of Horse and Falcons.
UPDATED: Court news from Gulf War A.S. 50
This news is gleaned from the Book of Faces, and from other sources. I apologize for errors and omissions. Where I recognized the name, I used the spelling in the Calontir OP. If the name is not complete in this post, I welcome a correction.
In no particular order:
Ravasz Janos – Stele Hirth
Gawin Kappler – Mallet
Barrett Thickblood – Torse
Hildibrandr Tjúguskegg – boon for Chivalry
Nesscia inghean Chearnaigh – boon for Pelican
Da’ud ibn Ibrahim al-Sisari, called Dawi – Iren Fyrd
Kajsa Nikulasdotter – Calon Lily
Luckie Glasbrenner – Stele Fyrd
Adelaide – Stele Fyrd
Kitsu no Taro – Stele Fyrd
Ostwald Konrad von Riesetoten – Stele Fyrd
John Bowyer – Torse
Lillian Bowyer – Torse
Christine Chabrier – Golden Calon Swan
Calontir won the War Bard competition again this year. Congratulations to Vilhjalmr Half Troll!
Life Before Toilet Paper
Reposted from the East Kingdom Gazette:
Life Before Toilet Paper
There are some things in our society that are so basic, so integral to our lives that we cannot imagine going without. Toilet paper is one of these items. Since 1857, when toilet paper first became commercially available, we have used it to cleanse after using the bathroom. This begs the question; what did people use to clean themselves before toilet paper? This work will provide an overview of what people used to cleanse themselves after defecating in Rome, China, Japan, India, the Islamic states and various areas of Europe between 400 C.E. and 1600 C.E.
Contents
Rome
Buddhist Precepts for Monks in India
Islamic Precepts for Worshippers
Japan
Western Europe
China
Bibliography
Notes
Rome
We begin in Rome, in the communal toilets adjacent to the city’s bathhouses. These communal bathrooms were semi-circular or rectangular rooms containing long benches along the walls, with individual round spaces carved into them. Running water flowed underneath them to wash away the waste. According to William E. Dunstan in his book Ancient Rome, “Public latrines, though often lavishly decorated with statuary and singing fountains, proved dimly lit and poorly ventilated. They became overcrowded retreats for the unprivileged living in multistory tenements lacking toilets.” [1]
Lucius Annaeus Seneca, in his series of letters known as Moral Letters to Lucilius references a sponge affixed to a stick as being used for cleansing after defecating. In his 70th letter, he relates a tale of suicide in which this implement, commonly referred to by scholars as a spongia, played a pivotal role. “A captured German, who was making ready for the morning exhibition, withdrew in order to relieve himself, the only thing he was allowed to do in secret and without the presence of a guard. While so engaged, he seized the stick of wood, tipped with a sponge, which was devoted to the vilest uses, and stuffed it, just as it was, down his throat…”[2] To date, there appears to be no other specific reference to the spongia in ancient text.
Sources speculate that the spongia would be stored in either a bucket of salt water, or would be placed in front of the public toilet in a stream of running water that ran in front of the commode in communal bathrooms. These spongia were used by everyone who utilized the public toilets.
The Roman elite used chamber pots or toilets within their own homes instead of using the communal commodes whenever possible. Instead of the spongia, it is conjectured that they cleansed with rosewater and soft wool while in their homes.[3]
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Buddhist Precepts for Monks in India
We move from Rome to India, where Buddhist monks were fastidious about cleanliness. So fastidious, in fact, that they had very particular rules regarding the use of the bathroom. These rules are outlined, in detail, in early versions of the Vinaya Pitaka, the Buddhist canonical for monks. Each of the seventeen rules were to be followed each time one used the toilet facility.
- One should not defecate outside of the cesspool.
- While standing outside, one should clear his throat.
- Anyone sitting inside should also clear his throat.
- Having put aside the (upper) robe on a bamboo pole or a cord, one should enter the place properly and unhurriedly.
- One should not pull up one’s lower robe before entering.
- One should pull up one’s lower robe while standing on the toilet shoes.
- If the place is splattered it should be washed.
- One should not groan or grunt while defecating.
- One should not wipe oneself with a rough stick.
- One should not drop the wiping stick into the cesspool.
- If the basket for wiping sticks is full, the wiping sticks should be thrown away.
- One should then cover oneself (with one’s lower robe) while standing on the toilet shoes.
- One should not leave hurriedly.
- One should not leave with one’s lower robe pulled up.
- One should pull it up while standing on the rinsing-room shoes.
- One shouldn’t make a smacking sound while rinsing.
- One should not leave any water remaining in the rinse vessel.[4]
Further evidence to the Buddhist doctrine of cleansing after defecation is found in an anecdote within their guidelines for monks which tells a story of the consequences of not rinsing oneself after defecating:
“Now at that time a certain bhikkhu, a brahman by birth, didn’t want to rinse himself after defecating, (thinking,) ‘Who would touch this vile, stinking stuff?’ A worm took up residence in his anus. So he told this matter to the bhikkhus. ‘You mean you don’t rinse yourself after defecating?’ (they asked). ‘That’s right, my friends.’ Those bhikkhus who were of few wants … criticized and complained and spread it about, ‘How can a bhikkhu not rinse himself after defecating?’ They reported this matter to the Blessed One…”[5]
The monks utilized what they referred to as a wiping stick to scrape feces after defecating. The stick was smooth and slightly rounded, and was used to remove large pieces of feces before the monks rinsed themselves with water.
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Islamic Precepts for Worshippers
Buddhism is not the only religion that has strict rules about personal hygiene. Worshippers of Islam had similarly stringent requirements for cleanliness. The Qur’an is adamant about personal hygiene, which is why it is not surprising that Muslims also had very specific rules when it came to cleansing after defecation. Abu Hureyrah, companion to the prophet Muhammad, narrated many edicts to the followers of Islam; cleansing after defecation included, between 590 and Muhammad’s death in 632 C.E. “When any one of you goes to the Gha’it (toilet to defecate), let him take with him three stones and clean himself with them, for that will suffice him.”[6] He also stated, “I never saw the Messenger of Allah come out of the toilet without first (cleansing himself) with water.”[7]
Rules, based on the narrations of Abu Hureyah, are outlined in Qadaa’ Al Haajah. A redacted set of these rules is itemized below.
- When entering the toilet, one should say the A’udhu (isti’adha) and Basmalaand then recite a prayer.
- When entering the toilet, one should not have in one’s hand anything on which the name of Allahu ta’ala or any verse of the Qur’an al-karim is written.
- One should enter the toilet with one’s left foot and exit with one’s right foot.
- One should recite the prayer “Alhamdu-lil-laa-hil-la-dhi adh-haba ‘a-nil a-dhaa wa ‘a-faa-ni” when exiting the toilet.
- After cleaning one’s private parts, one should cover them immediately.
- One should neither face the Qibla nor turn one’s back toward it while urinating or defecating.
- One should remove the feces on one’s anus with one’s finger and wash one’s hand. If there are still traces of filth, one should wash them with water.
- One should dry one’s private parts with a cloth after washing them.
- One should not look at one’s private parts or spit into the toilet.
- One must not urinate into any water, on a wall of a mosque, in a cemetery, or on a road.
- Cleaning the private parts with stones and similar materials is an acceptable substitute for cleaning them with water.[8]
One will note that the process of cleaning oneself after defecating is specifically addressed. The utilization of one’s own hand appears to be the preferred method, followed by rinsing and washing the hand.
Japan
The Japanese, like the Indian Buddhists, used sticks to clean themselves after defecating. Flat, rounded sticks, called chu-gi, were uncovered in ancient cisterns dating as far back as 750 in the ancient Japanese capital of Nara. During what is called the Nara Period, between 710 and 784, the capital had 10-15cm trenches dug and water diverted through them, making a drainage system. Citizens would squat over these trenches, with a foot on each bank of the trench to urinate and defecate; the waste being washed away from the city. The dirty sticks would be washed in the running water, and retained for future use, or dropped in the trench for disposal.[9]
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Western Europe
In Western Europe, materials available for sanitation varied based on your wealth and social standing. It is conjectured that rags were used throughout Europe and were the most common materials used for anal cleansing. Ronald H. Blumer states his work entitled Wiped: The Curious History of Toilet Paperthat clothing too threadbare to be worn would be utilized for anal cleansing repeatedly until it was no longer fit for that purpose as well.[10] Archeological digs under monasteries in Europe have found remnants of the tattered, holey rags used by monks and nuns for toilet purposes. Finer wools and linens worn by the elite were used for their sanitary needs once they were no longer suitable to be worn as clothing.
Not everyone used rags, however. In the household records of Duc de Berry in 1400, for example, there is reference to quantities of flax and hemp being purchased in a raw, unspun state for the express purpose of anal cleansing.[11] And though few household records like these have survived, literature has. Toilet humor–also known as scatological humor–is not a wholly modern notion. La vie de Gargantua et de Pantagruel, written by François Rabelais between 1532 and 1564, was full of scatological humor. Chapter 1.XIII, “How Gargantua’s wonderful understanding became known to his father Grangousier, by the invention of a torchecul or wipebreech” is a perfect example. This chapter of the famous work is solely dedicated to the discussion of anal wiping:
“I have, answered Gargantua, by a long and curious experience, found out a means to wipe my bum, the most lordly, the most excellent, and the most convenient that was ever seen. What is that? said Grangousier, how is it? I will tell you by-and-by, said Gargantua. Once I did wipe me with a gentle-woman’s velvet mask, and found it to be good; for the softness of the silk was very voluptuous and pleasant to my fundament. Another time with one of their hoods, and in like manner that was comfortable. At another time with a lady’s neckerchief, and after that I wiped me with some ear-pieces of hers made of crimson satin, but there was such a number of golden spangles in them (turdy round things, a pox take them) that they fetched away all the skin of my tail with a vengeance. Now I wish St. Antony’s fire burn the bum-gut of the goldsmith that made them, and of her that wore them! This hurt I cured by wiping myself with a page’s cap, garnished with a feather in the Switzers’ fashion.
“Afterwards, in dunging behind a bush, I found a March-cat, and with it I wiped my breech, but her claws were so sharp that they scratched and exulcerated all my perinee. Of this I recovered the next morning thereafter, by wiping myself with my mother’s gloves, of a most excellent perfume and scent of the Arabian Benin. After that I wiped me with sage, with fennel, with anet, with marjoram, with roses, with goud-leaves, with beets, with colewort, with leaves of the vine tree, with mallows, wool-blade, which is a tail-scarlet, with lettuce and with spinach leaves.”[12]
By the end of his diatribe, there is seemingly nothing that the young man won’t use. In fact, when he comes to wiping with paper, he has this to say, “Who his foul tail with paper wipes, Shall at his ballocks leave some chips.”[13]
Though a humorous work of fiction, it does provide insight to what might have been used for anal cleansing. The author is clearly utilizing the absurd in the name of his art, but it is not unreasonable to take grains of truth from the document. It is quite likely that leaves, moss, straw, discarded pieces of clothing, etc. would have been utilized by all walks of life depending upon their region and the materials available to them.
It is suggested in numerous works on the subject that leaves, moss, shells, and the like would have been used for cleaning after defecation, though none of these works have been able to provide evidence to support their assertions. It is not unreasonable, however, to make such a conjecture. A soft leaf, unspun wool, and straw would have proved to be useful if no other means of cleansing were available.
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China
While their Western counterparts were using leaves, rags, or sponges soaked in saltwater, and other areas of Asia were using sticks to clean their anuses, the Chinese were manufacturing paper to address their sanitary needs. There is little written on the invention, manufacture, and use of the predecessor to the modern toilet paper, but there is mention of paper being used in the eliminatory process as far back as the first century. Joseph Needham, in his collection of works entitled The Science and Civilisation of China, cited that the Chinese used paper made from rice straw for sanitary purposes. Chinese scholar Yan Zhitu stated in 589 that “paper on which there are quotations or commentaries from Five Classics or the names of sages, I dare not use for toilet purposes.” Additionally, an Arab explorer during the Tang Dynasty, is noted as having stated “They [the Chinese] are not careful about cleanliness, and they do not wash themselves with water after they have done their necessities, but they only wipe themselves with paper” in his memoirs detailing his travels to China.[14]
The Chinese eventually began manufacturing a specific type of paper to use after defecation, known as tshao chih. According to Chinese records maintained by the Imperial Bureau of Supplies, over 720,000 sheets of tshao chih were manufactured in 1393 alone. The imperial family, however, received “…15,000 sheets, three inches square, light yellow, thick but soft, and perfumed.”[15] In fact, the use of tshao chih was so prevalent, Zhejiang Province (aka Chekiang Province) alone used ten million packages of 1,000 to 10,000 sheets in 1393 for its population of 2,138,225.[16]
Until the 19th century, paper was made exclusively by hand, and therefore, was more expensive to procure. It would have been more cost effective to use materials that were readily available, such as leaves and old rags instead of paper. As paper became easier and less expensive to manufacture, its use for cleansing after defecating became more common and eventually took its place as the preferred method for cleaning in most parts of the known world. Today it is estimated that modern Americans use approximately 100 rolls of toilet paper per year. With nearly 390,000,000 people in the US, Americans use 39,000,000,000 rolls of toilet paper each year.
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Bennett, Howard. “EVER WONDERED about the history of toilet paper?” The Washington Post (2009): 1-2. Accessed 10/27/2014.
Bhikkhu, Thannissaro, ed., The Buddhist Monastic Code II. Thanissaro Bhikkhu, 2001.
Blumer, Ronald, H. Wiped: The Curious History of Toilet Paper. CreateSpace Independent Publishing Platform; 2nd edition, 2013
Chavez, Amy “From the ditches of nara to the Otohime, a lav story” The Japan Times (2014): Accessed 12/27/2015
Dunstan, William E. Ancient Rome. Plymouth: Rowman & Littlefield Publishers, Inc., 2011.
Guanglin Liu, William. The Chinese Market Economy, 1000-1500. Albany, NY: State University of New York Press (2015).
My Religion Islamic. “Islamic Toilet Etiquette” (2015): Accessed 12/28/2015
Needham, Joseph. Science and Civilisation in China, Vol. 5, Part 1: Cambridge: Cambridge University Press, 1954.
Rabelais, Francois; Translation by Sir Thomas Urquhart of Cromarty. Gargantua et de Pantagruel: 1653
Schofield, Hugh. “Filthy secrets of medieval toilets” BBC News (2003): Accessed 10/27/2014
Seneca, Lucius Annaeus. “Moral letters to Lucilius” Letter 70 : Accessed 02/15/2016
“The Hadith of the Prophet Muhammad at Your Fingertips”: Accessed 02/15/2016
“Islamic Toilet Etiquette“: Accessed 02/15/2016
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[1] Dunstan, William E. Ancient Rome, pg 359.
[2] “Moral letters to Lucilius/Letter 70”
[3] Dunstan, 359
[4]Bhikkhu, Thannissaro, ed., The Buddhist Monastic Code II, pg. 108
[5] Ibid, pg. 107.
[7] Vol. 1, Book 1, Hadith 354
[8] “Islamic Toilet Etiquette“
[9] Chavez, Amy “From the ditches of Nara to the Otohime, a lav story” The Japan Times
[10] Blumer, Ronald, H. Wiped: The Curious History of Toilet Paper
[11] Ibid
[12] Rabelais, Francois, La vie de Gargantua et de Pantagruel Chapter 1.XIII
[13] Ibid, pg 78.
[14] Needham, Joseph Science and Civilisation in China, Vol. 5, Part 1
[15] Needham, 123
[16] Guanglin Liu, William The Chinese Market Economy, 1000-1500, p 13 Appendix A
Chieftains Court Summary, February 27, A.S. 50
Hildibrandr Tjúguskegg won the Chieftains Mace tournament.
Melchor Eichmann was awarded the Iren Fyrd earlier in the day on the field.
Donald Andrew MacDonald and Zoe Mikre were awarded Court Baronages as they stepped down from the seats of the Barony of Vatavia.
Uldin of Ravenscroft and Sung Sai-erh were invested as Baron and Baroness of Vatavia.
Eight people received newcomer mugs.
Gwyneth Rochwendottir – AoA
Rolant de Bourbonne – Stile Fyrd
Marie le Faivre – Silver Hammer
A boon was begged for Catalina de Arazuri to be elevated to the Order of the Laurel.
SCA 50th Memorial Shield Wall Project
As we celebrate our Society completing its 50th year, we look around and see gaps. Dust to dust it is said, but “no one dies who lives within a heart” (Michael Longcor) and we want to share those who are lost to time but living in our hearts at this time. So, whether it is a person or some kind of entity (households, groups and events) that is no longer part of the fabric of our lives, the Shield Wall will be a highlight at the 50th Anniversary Celebration Event to share with the attendees (and hopefully on our website.)
We invite citizens of all 20 kingdoms to visit our
website,http://sca50memorial.org/ , and submit as many entries as you’d like for this project. We can give you the opportunity to submit your entry online via our convenient webform or you can mail us your entry.
Unto the people of Calontir — To date, we have only had 3 submissions from your kingdom. If there is someone or something you wish to remember at the event, please help us do so. We do hope to update our website soon with the list of all submissions but for now, if you think of someone to honour, just do it. We can sort out duplicates later.
Please remember that this is a VERY visual display. If you do not link to an image or plan on sending us something, we really can’t include your submission effectively. You can send us a file at sca50memorialwall@gmail.com
It is up to you to help us all remember our absent friends, households, groups, or events. We will give them all a place of honor at the event.
http://sca50memorial.org/
Never Won a Tourney Tournament at Gulf Wars (Rapier Tournament)
Gleaned from Facebook:
On behalf of Their Majesties the Kingdom of Atlantia is proud to host the Never Won a Tourney, Tourney at Gulf Wars. This tournament is scheduled for Tuesday at Noon. We invite all to compete who have never won a rapier tournament, excluding rapier melee tournaments. The format is a double elimination tournament.
Caitilín Inghean Fheichín
Lilies Fireworks Fundraising Auction
The Lilies Fireworks Fundraising auction has many wonderful items. This is auction is being conducted on Facebook https://www.facebook.com/Liliesfireworks/. All proceeds go to the Lilies Fireworks fund.
The Auction will close at 10am CST on March 1. Additional donated items are welcome, the more the merrier the show.
Items are listed below, and the list will be updated as new items are added. (Sorry, we cannot post photos from Facebook.)
- Shield painting by Aiden Groundpounder
- 1 hour massage by Majnun
- Glass bead making weekend with Mistress Sorcha Ingen Ni Mhaolain
- Wooden cooler donated by Tim Hooper
- Knock flat stool made and donated by HL Hugh du Puy
- Son of Anachronism T shirt donated by Bunisher Metal works, Sir Cai Douglas. Size XXXL
- Custom Heraldic feast gear. This feast gear will be made to a design that is agreed upon by the winner and the artist. Made and donated by Painted Sky Pottery, HL Marie le Faivre. Marie will double the set if the bidding goes over $200
- Print of the original artwork “The Falcon Cross of Calontir” Drawn, designed, and donated by HL Cearr Mac Brendan
- HL Cearr Mac Brendan is a professional tattoo Artist, he has donated a $150 gift certificate to his shop, Nuclear Ink in Omaha, NE
- Custom Paternoster made and donated by Konstantia Kaloethina
- Custom Embroidered Hood made and decorated with a design agreed upon by the winner and the artist. By Countess Issabell St. Charles
- Aurora dress Donated by Linengarb.com
- Rus pants Donated by LinenGarb.com
- Mistress Aiden has donated a C&I starter kit, all you need to get started. Kit includes Books, pens, inks, paint, and brushes. Retail value is over $1000
- A custom string of Glass beads in your colors, approximately 30 beads. Made and donated my Mistress Sorcha Ingen Ni Mhaolain
- One set of stainless steel silverware. Hand made and donated by HL Nikita Pashavich
- Viking hat. Color Burnt orange with darker border. Created by naalbiding using the Jorvik stitch in worsted weight 100% merino wool. Unstretched, hat is 8.5 inches deep and 23 inches in circumference. Should fit heads in the 22 to 25 inch range. Donated and made by HL Cassandra Peverell
- Black wool iutter, linen lining, hand sewn & hand embroidered with Silk/wool. Made and donated my Mistress Thora
- Lady Anna Plantain has up for your bidding pleasure Hand spun 400 yards fingering weight yarn in Calontir purple
- Wooden Chair, packs almost flat, Back slides into the bottom for ease of transport and carrying to and from you camp or car. Made and donated by HE Avraham Ben David Hakhuzari
- Basic no frills starter helm Conical in Styling. Solid helm, brand new. Made and donated my Sir Andrew Ward
- Lady Anna Plantain has for you embroiderers 100 yards embroidery weight double ply wool hand spun floss. The winner gets choice of colors up to three colors for 100 yards total
- 16th century English blackwork embroidered women’s cap, silk embroidery on linen. Made and donated by Lady Josefina DelTorre
- Quarrel quiver. Yellow dyed leather with a band of purple dyed leather that has a Calontir falcon cut out. Made and donated by HL Juliana Macnayre
- Fabric coronet, made with your specifications and will be ready by Lilies. Design will be agreed upon by the artist and the purchaser. Custom made and donated by Mistress Adena
- Hood in blue medium weight wool, lined in white linen. Seam treatments will be done in gold and cream thread. Made and donated by Mistress Rebecca Beaumont
- Trim hand embroidered with love by Mistress Lyriel. Trim measures roughly 7 yards in length, width of a palm
- White woven belt, approx. 2 yds long, wool and woven and donated By Lord Thomas the Black
- Trim in black/grey/white/red trim approx. 13ft long, 1″ wide, wool. Hand woven and donated by Lord Thomas the Black
- Red wool knitted cowl, wear this cowl to stay warm at those chilly events. Knitted and donated by HL Rose Ni Rory
- Purple and gold wool socks. These will be a commission piece to ensure they fit the winner properly. To be knitted and donated by HL Rose Ni Rory
- Custom Roman inspired necklace by THL Jibra’il ‘Attar. Necklace will be delivered within two weeks of design consultation with the winner. There are two of these in the auction
- Butter tarts. HL Miranda Logansdottir will make you 2 dozen hand made butter tarts. They will be delivered to the auction winner at an event agreed upon by the winner and HL Miranda
- Six board pine chest made and donated by Halvgrimr Riddari. Size is 24″ long x 18″ high x 12″ wide. Box to be delivered at Lilies war
- A gift basket of 1 dozen handmade soaps of the recipients choosing. Made and donated by Lady Antonia Stefani
- Brand new Talhoffer buckler. Donated by Sir Duncan of Skeene
- Hand repousse Pelican Medallion. This is the first copper Pelican medallion made by Master Alan Smyth of Darkdale. Own a piece of history form a wonderful artisan. Donated by Master Alan himself
- Beautiful pewter cloak clasp from the merchant Vault of Valhalla. clasp is approximately 4.5 inches across the clasp. Donated by Vault of Valhalla (HL Paul Adler)
- Dinner for 6 to be cooked on site and served at either Gulf Wars or Lilies. Winner must provide feast gear. Menu specifics will be decided upon by cook and the winner. A sample idea would be composed salad, lamb roast with 2 sides, dessert. Can tailor to specific tastes and/or persona. Donated by HE Marie du Puy
- A period correct hilt of your preference for a blade you provide. Highest bid gets to select a pre-17th century hilt type (documented to 1599 or earlier) and a personalized decorative theme. Grip and pommel are included in this donation. *Blade not included* donated and made by Lord Gassion Beaumarchais
- One Riveted steel cauldron. These cauldrons are hand dished and riveted together by HL Hildibrandr.
- Beautiful hat with faux fur trim. The hat is reversible, and the tassel can be moved easily to the other side of the hat completing the look. Hat fits up to a 23.5″ head. This hat was made and donated by HE Ayesha de Warwick of Ansteorra
- Own a piece of Calontir History with this next item. Original Lilies banner bought at a regalia auction years ago. Donator believes it is from the first Lilies. Banner is heavy cotton applique, all in good condition, no fraying anywhere. Back side is somewhat (but mostly evenly) faded from being hung in a window. Donated by HE Branwen Ferch Rhael
- This is a crossover rapier blade with a 6″ tang and a crossover longsword blade with a 10″ tang (separate items). These blades are slightly heavier and stiffer than the standard rapier blades, these have the same features with a wider profile. Crossover blades are designed to meet the flex requirements for both Rapier and Cut & Thrust, HEMA and WMA combat. These blades have a 3″ricasso. Blade Only Generously donated by Castille Armory
- A complete Feder long sword. Blade- 38″ long, 1lb 14oz. With of blade (from fort to tip) fort 1-1/8″, schilt 1-7/8″, blade/schilt shoulder 7/8″, @12″ 7/8″, @20″ 3/4″, @30″ 1/2″, tip is spatulated 5/16″ swelled and rounded.Blade thickness is .214 at the schilt, @ 12″ .190, @20″ .160, @30″ .125. The tip swells in the last 3/4 inch to .214. The guard is made from a2 3/8 thick steel and is contoured. The complete length is 51.5″. The complete weight is 3lbs 8 oz. Flex is centered @ 26″ from the fort for a perfect “last third flex.” Balance is centered at the front of the schilt; 2.75″ in front of the guard. Also donated by Castille Armory
- One 1/4 or 1/2 Scale Mary Rose chest. With interior compartments, a six panel chest or a Norse chest. Which ever the winner of the bid wishes. Artisan will work with the winner to determine their needs and desires for finishes on the chest. Chests will be made from pine and suitable for camp or home. Donated by Lord John Bowyer
- A Calontir Purple haversack decorated with a yellow machine embroidered striking falcon. made and donated by Lady Lillian Bowyer
- Lady Lillian Bowyer also offers a second bag. The bag will be made in consultation with the winner and be delivered upon completion. The bag is wool with a linen lining and two interior pockets. The hand stitching and patterns will be done in the Bayeux tapestry style and can be either a design the winner and Lillian work on or a design from the tapestry itself.
- Custom banner by HL Konstantia Kaloethina. Banner will be delivered upon completion.
Halvgrimr’s Hall: a Viking Age Hoard of Information
Halvgrimr’s Hall is a Facebook blog page with the stated purpose “A blog where I intend to document my attempts at Living Heroically both in and outside my hobby. I hope my efforts inspire others to do so as well.”
The blog covers many areas of Viking Age reenactment, but most prominent is the extensive research and discussion regarding finds of helmets of the period. Extensive articles on the Vendel Helmet 14, the Sutton Hoo helmet, and pointers to resources for further research are just a few of the items available.
Halvgrimr says he also does “a weekly coverage piece on various ‘Viking Age’ helms and I hope to keep that running even after I run out of extant pieces”
If you are interested in Viking Age research, and especially extant helms, but sure to check out Halvgrimr’s Hall.
Scribe 101: What Does It Take To Start Doing Calligraphy and Illumination
Most of you, Dear Readers, won’t believe me when I say the basic materials for starting your career as a scribe are incredibly minimal. Primitive, perhaps, is a more apt word.
Many protest they cannot Scribe because their handwriting is horrific and they have no artistic skill. Handwriting is irrelevant, as is your artistic talent and even whether you are left or right handed. What matters is the willingness to learn and practice, openness to trying a new skill and the ability to understand the difference between handwriting and the Scribal Arts.
I’ve been doing this for more years than I’d care to admit. In a pinch, it takes very little to draw pretty letters and make a decent-looking scroll, even under less than ideal conditions. One of my articles down the road will cover “Combat Scribing: The Art and Science of Doing a Scroll under Horrible Conditions.” This is also known as doing a last minute scroll at Lilies War.

My Rolling Scribe Box looks just like this, except it is camo green.
You do not need my rolling Scribe Box of Wonders, plus a home scribe room full of more cool stuff to do scrolls. At some point, more stuff becomes a distraction. We will start with the bare basics. This series will build from there. Eventually, you will find personal favorites to add to your Kit, as well finding things you feel convenient or helpful beyond the basics.
The Scribe’s Library will grow, too. Invest in Amazon Prime, and learn to scour every method of acquiring good quality used books, as well. Bargain shopping for books will serve you well for your entire Scribe career.
At the end of this article, I list some online resource and essential Scribe books. Always seek online coupon and discount codes before shopping. Free shipping is the most common. Some merchants have begun to recognize the SCA as a significant constituent and offer an SCA discount at checkout. Ask for it. Join all the SCA Scribes related Facebook groups you can find, and get hooked on Pinterest Scribe boards for more online inspiration and resource generators.
Even a few decades ago, these resources were not available, yet now they are lifesavers. Find the online digitized manuscript treasuries and bookmark them. Take classes at RUSH (Royal University of Scir-Havoc) or elsewhere, plus ask a more experienced Scribe if you can sit with them and ask questions. After all, most Scribal Arts are done alone, at home, in our workshops. It is much akin to raising small children– after a while; Scribes long for adult conversation!

Bare Bones Scribe Materials
Shown above – a right-angle, a straight edge, graph paper, a calligraphy pen, a liner pen, a pencil, a white eraser, a paint brush, and gouache in the three primary colours (red, blue, yellow), plus zinc white, lamp black and gold.
The materials pictured above, with the addition of an un-wobbly workspace, light, a water cup, a palette for mixing paint and the final scroll paper of the Scribe’s choice, are the bare minimum requirements for being a scribe. True story. There are many other pleasant, helpful, and nifty things a Scribe can use to create lovely scrolls. The things in the photo, however, produce just as beautiful a scroll when used to correct effect.
Let us begin.
Calligraphy is not handwriting.
Calligraphy is drawing letters. For this reason, your handwriting matters not, nor does your dominant hand. Practicing on graph paper is the single best way to learn calligraphy, learn it correctly and of getting it right, I have ever discovered. Use the cheapest Dollar Store on sale graph paper imaginable and achieve the same muscle-memory excellence as if you purchased specialty “practice paper” from an art store. Save your money, buy the cheap graph paper.
I taught myself to do calligraphy left handed simply to be able to teach lefties. There are left-handed calligraphy nibs and right-handed nibs. Please purchase the ones appropriate to your handed-ness. It truly helps.
Using a calligraphy pen to draw letters involves following the strokes indicated in a teaching manual for calligraphy. I recommend a beginner book such as Medieval Calligraphy: Its History and Technique by Marc Drogin. This shows a variety of scripts and breaks them down stroke by stroke. It also shows the exact pen-tip (nib) placement, letter height, and historical examples of each script. Many other beginner texts exist, too. The Drogin book is just one of the better known and most available.
Illumination does not require artistic talent.
Illumination requires the ability to use basic tools such as a straight edge, and the ability to create a model book or exemplar from doodles and period works. A sketchbook of your best doodles, photocopies of the devices of the Kingdom awards, various heraldic animals, Celtic knot work, swirly vines and acanthus leaves, fancy illuminated initials and so forth, will be your best travel companion. Bored at Court? Sketch. Sketch letters, designs, things you have seen. Practice that Tudor Rose or another motif you saw at the event.
Celtic knot work, the subject of a later article, is merely drafting and dots, by the way. Do not be intimidated. It is ridiculously easy once you know the tricks. After all, if we Irish could do it, anyone can do it. Look online at Michelangelo’s sketchbooks. They were designed to get the proportions and placement of his figures correct, not to be as beautiful as his finished work. When called upon to create a scroll, you will have an idea book of sketches and designs ready.
Illumination also requires the ability to manipulate a paintbrush and to color within the lines. Most of us learned these skills in primary school. We perfect these through practice. Practice is widely available in the Calontir Scribal world by helping the Royal Scribe paint pre-print scrolls. These are scrolls in which the calligraphy and line art for the illumination has already been done by another Scribe, and then photocopied onto heavyweight paper. Beginning (and sometimes also advanced) Illuminators paint the preprints using gouache paint, just as they would paint an original scroll.
What is gouache?
Gouache is opaque watercolour, created by combining finely ground pigment with binders and then either partially dried and stored in a tube, or completely dried into a pan. The colors in my photo above are Windsor and Newton Artists Gouache. Many of the Windsor and Newton line use period pigments and binders such as gum Arabic. Some period pigments, such as Lead White, are also available\ and come with safety warnings.

You can also use regular transparent watercolour on a scroll. I used authentic Japanese-made watercolours when creating both His Majesty’s Chivalry scroll and Uji-Two’s Torse scroll. They work well. Chinese ink stick colors work well, too. Some calligraphy-specific coloured inks give good colour to scrolls. Personally, I avoid acrylic or oil colour for basic SCA scrolls. They may be appropriate for some kinds of non-traditional scrolls, however.
A word about calligraphy pens
Yes, Dear Readers, I use a cartridge pen for 99% of my scroll work. I do this for several reasons. The pen I use is a Rotring Art Pen. It contains archival quality ink, fits nicely in my arthritic hand, and is completely reliable. The stainless steel nibs refuse to die. When I packed up from the Barony of al-Barran in the Outlands 10 years ago, I left ink cartridges in the pens. There they stayed for about six years. Do NOT do this.
When I was strong enough to try Scribing again, I opened the pens and removed the old ink cartridges. I washed out the nibs, put in new ink and nine of 11 of the pens worked as if they were brand new. I cannot say the same for any other brand of pen, including dip pens, I have ever owned.

Can I use a dip pen? Of course. But I hate them. Should you learn to use them and use them well? Of course. They are far more period than my cartridge pen. There is no rule that says you must start with a dip pen, or a quill pen, or anything in particular. I simply request you not learn calligraphy using a calligraphy marker, because they do not enforce correct technique.
The correct technique with a calligraphy pen is to draw each stroke of the pen either towards the body or towards the hand, whenever possible. To push the stroke of the pen away from the hand or body often causes the pen to “barf” or “splat” on the paper. Practicing a consistent pressure using whatever pen you choose is more important, combined with practicing letter spacing, equal letter height and the wide/narrow aspect of letters.

This is where the graph paper comes into play. Graph paper has lines, horizontally and vertically. It makes letter height, spacing and so forth much easier while saving time drawing lines on blank paper. You can certainly draw those lines if desired. For practice time, I would prefer you spend the time practicing rather than drawing straight lines using a ruler.
Every Scroll is a Franken-Scroll
Tracing is period. Really. It is why Scribes had exemplars, model books and so forth. Designs were used and re-used. Particularly complicated pages were laid out, proportioned and set up on cheaper material than the “good” paper or vellum before ink or paint was ever laid on to the expensive stuff. We see evidence of graphite marks, pin-pricks and other tracing methods in period manuscripts.
I hope at some future RUSH sessions we can get into a University library’s manuscript/special collection to see actual period manuscripts as examples. We did this once upon a time, saw first-hand such things as tracery, the way paints lay on top of vellum, and the lack of perfection in medieval manuscripts that we still feel are marvels to behold.
Lay out or design the scroll on graph paper first. Cut and paste copies of sketches, award devices or recipient devices, knot work, vines or other designs on the graph paper using a glue stick or rubber cement. These adhesives allow some repositioning as you work, to take a trick from High School Journalism class. Lay out the text of the scroll using modern technology. Find and download a free font online that approximates the appearance – especially the letter and word spacing! – of the Scribal hand you intend to reproduce.
Keep in mind you will be making changes to that font to make it period as well as to make it your own. However, making sure the text will fit into your scroll is also important. Use your computer to size and resize the text in your font choice until it meets your needs. Once it does, print, cut and paste it into your scroll mock-up. When I do this, I print the font with an underline. This helps me align it with the graph paper lines of my mock-up.
Continue to play with your mock up, adding and subtracting elements as needed. If you need a picture of a person doing an activity, research period sources to find one that fits your scroll time and place. Save the photo to your computer, and then open it in your photo editor. De-saturate it so the photo is in black and white. Now you can resize the basic drawing to fit your needs, flip it, rotate it and manipulate it to your needs.
When you have the drawing in the basic size, shape and orientation needed, print it. Using a pencil, add the other elements you need, rearrange arms and legs, change garments, add weapons and so forth. Add a blank of the black and white figure to your exemplar book, too. Cut and paste the modified image into your scroll mock-up. Repeat as needed for other elements.

Rough Draft Matsunaga’s Chivalry Scroll
Note that you are NOT copying any page of an extant manuscript. You are taking elements, modifying them to suit the scroll recipient, creating what might be the missing page of that manuscript using your imagination and creativity. Neither are you copying your font printed off the computer. You are using it as a placeholder for your calligraphy hand and ensuring the approximate letter width and size fits in the space needed.
All of the above is done on graph paper, so there should be no excuse for things being off-kilter. You have your ruler, so you can determine the center of the paper and ensure a pleasing and well-thought-out design. You may need to draw circles. Please do not draw them freehand. A shot glass or the neck of an empty beer bottle are about the right size for the badge circles of most AoA or GoA awards. Later, you may want to invest in an architect’s circle template.
Sooner or later, the Franken Scroll mock-up has acquired a form that looks like it will work. It is time for it to move from graph paper to good paper. That, Dear Reader, is the subject of next month’s post.
In the meantime, practice drawing letters in the correct shapes on graph paper. Practice doodling medieval things – beasties, vines, flowers, knot work, Norse long-boat crests, you name it – in your sketch book. Acquire a few basic tools. Visit some resources online and start looking for repeating themes within the same time frames. See if you can spot elements that appear again and again. Perhaps download a color wheel and some information about colour theory. After all, if all you have are the primary colours, you will need it soon!
Look at the calligraphy. Spot how it is drawn, not written. You may even see outlines of letters, later filled in with ink. Hmmmm – drawing letters. Intriguing. You will see graphite guidelines for letters. Notice the differences between early period calligraphy vs. later period Gothic quadrata styles resembling nothing so much as a picket fence. The skill there is drawing many straight lines, equally spaced, and being able to track where to connect the vertical lines to make letters.
Until next month, Dear Readers, here are some resources to take you down the Scribal Rabbit Hole. Email me any time with questions .
I always remain in service to Crown, to Kingdom and the People of my Home, my Beloved Calontir –
Aidan Cocrinn, OL
55th Laurel of Calontir by the Grace of Conn and Sile
Royal Scribe to Their Majesties Matsunaga and Elena
First Cyborg Laurel of Calontir
Scribe Goob
Etc.
hcochran@gmail.com
Resources:
Art Supplies:
John Neak Bookseller THE go-to SCA Scribe place
**Remember to request the 5% SCA discount in the Order Comments Box**
Guild Mirandola –paints, pigments, gold leaf, parchment, Pennsic
Paper and Ink Arts – go to supplier for most stuff
Guild of Limners – pigments, vellum, Pennsic
Cheap Joe’s – basic art materials, cheap
Jerry’s Artarama– more basic materials, always sales
Dick Blick – all the art supplies
Digital Resources:
Folump Enterprises (buy Crossed Quills, if you can get them!)
Michaelangelo Sketchbook article
Medieval Illumination (blog)
ScribeScribbling – the blog of Ian the Green
SCA Scribes and Illumination Facebook Group
SCA Scroll Gallery Facebook Group
Aidan’s Pinterest – see if you can find and follow all the Scribal Pinterest Boards, then follow the other Scribes you find. Warning: Addictive.
Calligraphy:
SCA Calligraphy Bootcamp
Ductus – Line Drawing Template
Calligraphicga this form of writing we do
Illumination
Book of Durrow
Creating Period Pigments
Calontir Resources:
Calontir Order of Precedence – look up names
Calontir Armorial – look up registered devices





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